“Mikayla Reid’s costume design, Eduardo Ramirez’s lighting design, Aubrey Dube’s sound design, and Lauren Corcuera’s props all play an expert hand in capturing the play’s 1950s Brooklyn setting.”

“Director Tasia A. Jones gives us a straightforward version of ‘Crumbs’ and, while Cristina Todesco’s set design and Eduardo Ramirez’s lighting design work well as the action hops from living room to subway car to Ernestine’s movie fantasies”

“Kudos go to Eduardo Ramirez’s moody lighting design and Mikayla Reid’s wonderful costumes, which bring us into less prosperous times.”

“Both girls find comfort in going to the “pictures,” where they lose themselves in dramatic and romantic stories, and one of the more delightful elements of this script are Ernestine’s efforts to transform her family’s challenges into the kinds of satisfying resolutions she has seen in the movies, vignettes made all the more effective through the lighting design of Eduardo Ramirez.”

“Eduardo Ramirez’s lighting design created distinct movie scene vignettes, and Aubrey Dube’s sound design was perfectly timed to the volume knob on the radio.”

“Eduardo Ramirez’s animated lighting design combined with Aubrey Dube’s rich sound deliver carefully timed flickers of joy to instantly transport characters right within the narration from an apartment to a movie theatre to a train station in an array of flickering of lights and distinctive sound effects. “